9/22/2023 0 Comments Phew 1981![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. Phew then went on to release her first solo album in 1981,which was self-titled and. The cookie is used to store the user consent for the cookies in the category "Performance". Album reviews, biography and music news for Phew at sputnikmusic. Recorded at Plank 's studio with Liebezeit on drums, Haas on keyboards, Crime & the City Solution 's Thomas Stern on bass, and Einstrzende Neubauten 's Alexander Hacke on guitar, Phew's third solo album finds her making the most of her all-star band as she challenges expectations. She had been whisked from Osaka to Germany at only 20. ![]() This cookie is set by GDPR Cookie Consent plugin. In 1981, a young man sat quietly in Conny Plank’s legendary Cologne recording studio, watching Japanese singer Phew record her debut album. The cookie is used to store the user consent for the cookies in the category "Other. This cookie is set by GDPR Cookie Consent plugin. Haas, who had met Phew briefly when Plank engineered her debut solo album in 1981, arranged for Alexander Hacke (guitar / Einstrzende Neubauten) and Thomas. The cookies is used to store the user consent for the cookies in the category "Necessary". This cookie is set by GDPR Cookie Consent plugin. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. ![]() Nb a little foxing on the sleeve, record is in fantastic shape.Necessary cookies are absolutely essential for the website to function properly. This album was originally released in 1981 as her. It's very hard to get bored of this record, i find new small worlds within it every listen. Undoubtedly, this album is one of the important records of Japanese new wave and German krautrock history. Remarkably, i think that strangeness persists, and has shaped itself into its own unique form over time, pulling from an unknowable space that kind of has it standing outside of genre. The person whose collection this came from says he recalls friends asking him at the time why he was buying something so strange, something they couldn't understand. Moritani trades the rudimentary abrasion of her first band Aunt Sally for a dreamier, quixotic sound, though still abrasive and odd-shaped, and of all her collaborators, kissed most clearly with Cuzkay's sonic idiosyncrasies. Produced with Conny Plank, Holgar Czukay and Jaki Liebezeit in Cologne, Hiromi Moritani's debut as Phew remains an outlier in the post-punk firmament. With a new Phew record out in the world (LP due in Friday we're assured.), it's timely that a first press of the debut should land in the racks and more than coincidental since this isn't something you see every day (i don't think this has been repressed in over 30 years). Largely improvised, 1981s Phew won praise for its expressive mix of electronics and post-punk as well as Phews voice, which earned her comparisons to Nico. The Very Ears Of Morning on Vertigo KO by Phew SIGNAL on Phew by Phew. ![]() Genre : Post-Punk/Electronic/Avant Garde/Experimental In 81 she and the members of Can made the album Phew.
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